Pencil, 2B and 6B in A5 sketchbook. Not really happy with shading. Began with cross-hatching, shifted to blending with finger. Could do with greater contrast, gradients between light and dark. I began blocking out the background in black (last desperate act) but realised that actually casting a shadow onto the pillow beneath would serve this purpose better.
In any case, it was interesting to note how there lay in front of me an indiscernable mess of folds: only I knew that a folded pillow lay on top of another, because I had performed that act of positioning them. Perhaps a single pillow would have sufficed for what was intended to be a short drawing exercise before bedtime.
I had a look at Albrecht Dürer’s ‘six pillows’ in pen and brown ink, shown below (1493; The Metropolitan Museum of Art). There is fluidity (and movement – one can almost feel the act of folding taking place) and curvature lent by cross-hatching with very little blocking out. Reproducing this pillow series (or reproducing the style, or both) would be very helpful in my understanding and developing the cross-hatching technique.