HB pencil on A5 paper. This was a 5-minute sketch while a small boy, my son, ate his dinner. He is extremely animated, incapable of sitting still even when eating if one can imagine that, so I found him the perfect subject for the purposes of practising the drawing of moving objects with a known but manageable time limit of around 5 minutes. I started with a soft line and then went back and blocked in some shaded areas and strengthened some lines. I can see where he has moved and I have simply carried on drawing without correcting. He has a tiny neck in this image, his upper arm is too fat. I retained the wobbly line of the arm because it seemed appropriate for the language of movement – c.f. Schiele, for example.
I realised that because I know a priori what my son looks like very well from every angle, I was able to recognise when I had reached the likeness of the face and the way his neck falls downward. This felt… not entirely like cheating, but I imagine that were I to reach a likeness of a total stranger there would not necessarily be this sense of recognition. I would have to look much harder at the subject.
This was my first ‘speed’ drawing in a long time. My aim was to capture the likeness and the shape of the body, the movement. While there is a likeness I can see that the anatomy is incorrect. I had forgotten how, at least for me, the end result can be a little hit and miss.